A Cole (mezzo-soprano, psaltery, drum), Kirkman, K (violin, viola, harp, voice, Tibetan bell). Hildegard and the Celtic Bard. Cole & Kirkman. Forthcoming 2018.
A Cole (mezzo-soprano), Brewer, J (harpsichord), N Heymink (bassoon). The Dew Gatherers: Songs, Arias & Variations by Johann Philipp Krieger. Cole, Heymink & Brewer. MOVE Records, Melbourne, Australia. Launch 31 August 2017.
Cole, Amanda (2017). CD Booklet: Musicological and literary background of Krieger and his operatic works; translations of old German into English. The Dew Gatherers: Songs, arias & variations by Johann Philipp Krieger. MOVE Records, Melbourne, Australia.
A Cole (mezzo-soprano, psaltery, drum), Kirkman, K (violin, viola, harp, voice, Tibetan bell). Hildegard and the Celtic Bard. Ancient Music from Germany, France and the British Isles. Cole & Kirkman. Lift Gallery, Maleny, October 2017 and The Domes, Conondale, November 2017.
Cole, A (mezzo-soprano) and J Brewer (harpsichord) (2015, 9 May). Songs of Johann Philipp Krieger. Cooroy Fusion Festival. Cooroy Butter Factory, Cooroy, Queensland, Australia.
Cole, A (mezzo-soprano), A Goode (soprano), J Cweorth (recorder & director) (2012, 1 December). Proud Fire or Sacred Fear: Songs and Instrumental Music by Henry Purcell. Rare Byrds Early Music Consort, Seacliff Chapel, Dunedin, New Zealand.
Cole, A (mezzo-soprano and curating), J van Buskirk (piano), D Hollebon (viola) (2012, 13 May). Art Song, Poetry and Painting: Fauré, Debussy, Hahn and Brahms. Dunedin Musical Society, Mornington Church, Dunedin, New Zealand.
Cole, A (mezzo-soprano), P Becker (soprano), G Park (soprano), C Clifford (alto), S Chambers (tenor), J van Mellaerts (bass), D Burchell (conductor) (2012, 30 March). Beauty of Baroque. City of Dunedin Choir. Knox Church, Dunedin, New Zealand.
Cole, A (mezzo-soprano), R Shurbutt (soprano), K Knudsen (conductor) (2009, 5 April). The Premiere of Karen Knudsen’s Stabat Mater. Knox Choir and Orchestra, Knox Church, Dunedin, New Zealand.
ARTICLES & BOOK CHAPTERS
Cole, A (Forthcoming 2018-19). “Constellation Mentorship: Defining the Mentorship Model of the Alexander Technique.” In Behind the Scenes. Fictional, Artistic and Scholarly Mentoring Partnerships. eds. Gregoria Manzin and Veronique Duche. Classique Garnier, Paris.
Cole, A (2015). “Do you Really Mean That? Towards Precise, Considered and Constructive Language in Performance Teaching.” Australian Journal of Music Education 3, 4-15 .
Cole, A (2015, September). “Do you Really Mean That? Towards Precise, Considered and Constructive Language in Performance Teaching.” ANZARME 37th Conference, Australian Catholic University, Melbourne.
Cole, A (2013, July). “Getting the Most out of the Alexander Technique: A Coordinated Response to Performance. Constructive Thinking, Clear Intention and the Importance of the Whole.” International Congress of Voice Teachers, Queensland Conservatorium, Brisbane.
Cole, A (2012, September). “Critical Pragmatism and the Performing Arts: Alexander, Dewey, Barstow and Madden.” International Alexander Technique and the Performing Arts Conference, Victorian College of the Arts, University of Melbourne.
Cole, A (2011, November). “Brown Shoes: An Excavation and Examination of the Rules of Performing ‘Serious’ Music.” Psycholloquy, University of Otago, Dunedin.